tonykwk39@gmail.con Zinaida Yavgenyevna Serebryakova (1884-1967) ,Zinaida Serebryakova was born on the estate of Neskuchnoye near Kharkov. Her father, Yevgeny Lansere, was a well-known sculptor, and her mother, who was related to Alexander Benois, was good at drawing. One of Zinaida's brothers, Nikolai, was a talented architect, and her other brother, Yevgeny Lansere, had an important place in Russian and Soviet art as a master of monumental painting and graphic art.
Zinaida's childhood and youth were spent in St. Petersburg, where her grandfather the architect N. L. Benois lived, and at Neskuchnoye. The family was so artistic that no one was surprised by the girl's talent and desire to become an artist.
Her years of study did not last long. In 1901 she studied at the art school headed by IIya Repin, and later she was taught by Osip Braz. Zinaida's early works, which appeared at an exhibition in 1909, already showed her own style and field of interests. While studying classical art in the Hermitage and in the museums of France and Italy, she was drawn to the works of Tintoretto, Poussin, Jordaens and Rubens by their powerful plastic forms and national characters. But most of all she was captivated by the purity and chastity of Venetsianov's images. She could feel the importance of the simplicity and inner harmony inherent in Venetsianov's peasants and saw the inseparable link between these traits and Russian nature. 'I cannot see enough of this wonderful artist,' she wrote afterwards.
Another influence on the artist's work was her life at Neskuchnoye: she was delighted by the pure colours of the local countryside, by the leisureness of country life and by the freedom and plasticity of the movements of the peasants at work.
Ever since her youth Zinaida Serebryakova strove to express her love of the world and to show its beauty. Her earliest works—*Country Girl* (1906. RM) and *Orchard in Bloom* (1908, private collection)—speak eloquently of this search, and of her acute awareness of the beauty of the Russian land and its people. These works are etudes done from nature, and though she was young at the time, her extraordinary talent, confidence and boldness were
apparent.
On 19 September 1967, at the age of eighty-two, Zinaida Serebryakova died in Paris
齊奈達．亞文根耶夫·塞雷布里科瓦（1884年至1967年），季娜伊達·塞雷布里科瓦出生於地產的Neskuchnoye附近哈爾科夫。她的父親，葉夫根尼·Lansere，是一個著名的雕塑家，和她的母親，誰是與亞歷山大BENOIS，擅長繪畫。一個齊奈達的兄弟，尼古拉，是一個有才華的設計師，和她的其他兄弟，葉夫根尼·Lansere，有俄國和蘇聯的技術中一個重要的地方作為紀念繪畫和版畫藝術的大師。
齊奈達的童年和少年時代在聖中度過聖彼得堡，在那裡她的祖父建築師N. L. BENOIS住，並在Neskuchnoye。家庭是如此的藝術，沒有人被女孩的天賦感到驚訝，並渴望成為一名藝術家。
她多年的研究並沒有持續多久。 1901年，她就讀於由IIya列賓為首的藝術學校，後來她被奧西普·布拉斯教。齊奈達的早期作品，出現在展覽會於1909年，已經表現出了自己的風格和興趣領域。而在冬宮和在法國和意大利的博物館學習古典藝術，她被自己強大的塑料形式和民族特色吸引到丁托列托，普桑，約爾丹斯和魯本斯的作品。但最重要的是，她被Venetsianov的圖像的純度和貞潔著迷。她能感覺到簡單和Venetsianov的農民固有的內在和諧的重要性，看到這些特徵和俄羅斯自然之間的不可分割的聯繫。 “我不能看到這個美好的藝術家的就夠了，”她後來寫道。
在藝術家的作品的另一個影響是她的Neskuchnoye生活：她被當地農村的純色高興，通過鄉村生活的leisureness並通過在工作中的農民運動的自由和可塑性。
9月19日1967年，在82歲的時候，季娜伊達Serebryakova在巴黎去世。
因為她的青春永遠齊奈達Serebryakova力圖表達她對世界的愛，展現它的美麗。與該搜索，她的急性俄羅斯風土人情之美的認識她最早的工程─*鄉下姑娘*（1906令吉）和*果園布魯姆*（1908年，私人收藏）-speak雄辯。這些作品是從自然做的練習曲，雖然她很年輕的時候，她過人的天賦，信心和勇氣是
明顯。
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